One of the saddest life stories ever. This movie is exactly opposite the first movie made about Camille Claudel.

A Sculpted Homily: Bruno Dumont's Camille Claudel 1915. And smells of an Irish prison takes a pointed interlude for a veritable torrent of discourse. By Tony Rayns Full disclosure: I did the English subtitles for Jia Zhangke's new film,. Jun 21, 2013  Inverno, 1915. A vida reclusa da escultora Camille Claudel (Juliette Binoche). Camille Claudel 1915 - Trailer legendado californiafilmes. English Location: United States Restricted Mode.

This is dialogue driven with raw emotion and circumstance in Camille's post-Rodin life, after she was installed into an asylum. Her family was cruel; it helps to research her story on the web to understand her history It is amazing to me that while she sculpted, she was so prolific, given the obstacles and shackles placed on her by Rodin, her family and society. In the beginning, she got a good break with her career in the women's school, but her love for Rodin was eventually her downfall. And her family betrayed her even more. Great performances and a well-done, very intimate movie. Her story draws some similarities to Joan of Arc's fate -- keeping women in their place and taking their power away to make sure men stay on top. Poser pro 2014 models.

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Claudel knew exactly what was going on with her art talent being closed off, and I wonder how long she kept hope that her family would do right by her? How she lasted that long in there, I have no idea. Betrayal by a mother is the most evil kind and her brother was a greedy coward, equally evil. It's hard to click, 'I love it' = 5 stars, but these stories MUST be told truthfully, and I think the movie achieves that simply and as coldly as it really happened. If you are someone who is truly interested in the inner life of Camille Claudel and her feelings (grief, anger, paranoia, etc.) towards Rodin, this is a performance that makes you feel as if you were actually watching Camille.

Binoche is spectacular. She projects abandonment and hurt and so many emotions while saying very little.

It's all in her face and movement. If you watch this just to see what the dynamic was between Rodin and Camille but really aren't that interested in the life of Camille, this probably is not the movie for you.

Cannot say enough about Juliette Binoche's acting; just terrific. Also, as this movie is based on fact, I dislike Paul Claudel more and more.