Search and download from millions of songs and albums. All songs are in the MP3 format and can be played on any computer or on any MP3 Player. Live concert albums of your favorite band. Learn how to download music. EMD offers a premium experience that includes unlimited access to CD quality music. Download Rhythm Killer by Sly & Robbie.

Pcmscan 2412 rusifikator. • 'Boops (Here to Go)' Released: 1987 • ' Released: 1987 Rhythm Killers is a by Jamaican musical duo. It was released in May 1987. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the genre. They spent the 1980s experimenting with sounds and contemporary recording technology on international, cross-genre endeavors, as reflected by Rhythm Killers. For the album, they enlisted record producer and an ensemble of musicians to work with at Quad Recording in New York City.

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Along with their live instruments, the duo used electronic recording equipment such as the synthesizer. The predominantly and -oriented album is arranged into two -long gapless of songs. Other styles featured on the record include,,,.

Laswell's densely production incorporated electronic, hard beats, string synthesizers, and produced by turntable, African and Latin-influenced percussion, and percussive. Rhythm Killers in four countries, including the United Kingdom, where it peaked at number 35. It was promoted with two, including the UK hit 'Boops (Here to Go)'.

The album received positive reviews from critics and was ranked in year-end lists by magazine and critic, who named it the seventh best record of 1987. Encouraged by its success, Sly and Robbie continued their digital direction on subsequent albums. Rhythm Killers has since been. (pictured in 1979) became interested in newer recording technology such as. Amid their prolific output as sessions musicians, solo artists, and production duo, —drummer and bassist Robbie Shakespeare—opened their own record label Taxi Records and attained a distribution deal with during the early 1980s.

After Island founder and executive hired them to work with singer, the duo developed a more sparse, robotic production style with and influences. This deviated from their past reggae work, as well as the genre's sound and light rhythms. Sly and Robbie recorded primarily at Blackwell's in the Bahamas with state-of-the-art equipment, which led to Dunbar's experimentation with.

After their work with and that group's line-up change, Sly and Robbie pursued more international music endeavors. They branched out into cross-genre experiments with a conceptual, ensemble-oriented approach, while developing a mentorship with record producer, whom they met through Blackwell and by working on 's 1985 album. In 1985, they collaborated with Laswell on their album, which had guest contributions from,,,. Its recording developed from a track the duo had revisited from their work on the soundtrack to the 1983 film. The track had been done with electronic drums at Compass Point Studios, but scrapped as a rhythm track for later use. A dub album, Language Barrier showcased a musical clash between the duo's characteristic rhythms and Laswell's own production style, with African jazz influences, predominant use of the, and experimentations with tempo and dub techniques.